Friday, September 5, 2025

“South of North Adams” - A Horror Short by Brett Kelley (First Draft)

There’s a mild term of endearment for Non-New Englanders as that come up to see the foliage change every fall season. They are imaginatively called “Leafers”. This is something I never really appreciated as a Massachusetts native until very recently. 

I cannot remember how I got there. Last I could recall I was driving up 91 North to Greenfield to run some errands. I guess I must have gotten distracted and kept on driving. It happens. You get lost in your head for too long on a quiet highway, pass by an exit, life moves on. 

But I’ve never blacked out on a main road and come to crossing a bridge into a place I’ve never been to before. All I can think of is how beautiful the leaves were and suddenly I’m coasting through what appears to be an old mining town that never died. Houses littering the streets like tombstones in an abandoned cemetery, each with their own distinct shade of rot, clutter and faded debris adorning its structure. Despite the varying degrees of decay, each single floor double-wide and two story colonial seemed to proudly present at least two prominent features indicating recent activity: 

First, a stale and sun-stained satellite dish, in some cases several; affixed like pale gray antennae protruding from peeling shingles and browning crabgrass. Either an indicator that life never progressed past the nineties, or that the region was so signal-averse that you needed the extra boost just to be connected to the outside world. 

The second and more bewildering of the two,  a wooden symbol hanging from each house. Sometimes on the front door, or above a garage where a basketball hoop would typically hang. A warped, chiseled bearded face made of leaves with horns encircled in a dark maple mount. They looked hand-cut, each with its own unique features. Some with more human features, and others more blended into some sort of tree-like entity. The painstaking craftsmanship speaks more to a communal, cultural meaning rather than a popular local artist. They successfully made me feel like I was being watched in a place where I had yet to see another living human being. 

After getting a sobering jingle from my gas gauge, I am able to coast into what could only be considered the town center by title alone. A faded, scuffed gas station nestled between what seemed to be a closed post office, a general store, a used car lot and a breakfast nook. Barely a dozen parking spaces available for all five businesses. 

Stepping out of my car to check the pump, I am temporarily stunned. The moment my head leaves the vehicle and fully enters the crisp mountain air, there is a serene noise enveloping the area. I know I’m minimum three hours away from any kind of body of water but I swear it sounds like I”m hearing the ocean. Waves gently crashing on a nearby shore. After a couple moments of adjustment I realize it’s the trees. The slow winds are making the millions of leaves convulse like alveoli in a fresh set of newborn lungs. Ebbing and flowing, churning and pausing in a dizzyingly gentle display. I should on all counts be out of my mind with anger and confusion, but I struggle to even furrow my brow at such a beautiful fall day. 

I stow my appreciation to the back, of my mind and enter the fuel station. Cash only, I’d be shocked if it wasn’t. As I step inside I see the first human being all morning, a gruff and jagged thirty-something in oil-stained coveralls, apparently pulling double duty at the car lot as a mechanic. 

“Excuse me, can I get twenty on the pump?” I slap the green bill on the freshly oiled wooden counter. 

“Sure Can.” The clerk replies, barely making eye contact, the money already snatched up and into the register. I muster a follow-up: 

“Hey, uh, any chance of a Wi-Fi password around here?” 

A pause. 

“Huh, not immediately no. You’ll have to go back closer to the highway for that. Mineral deposits in the surrounding mountains and high tensity power lines make this region a dead zone. You get used to it, though.” The clerk motions to a small television with a 1980’s sheen over the screen, some kind of public access channel coming from god knows where. A person looking like a preacher of some kind talking, but I’m too distracted to make out any of the finer verbiage.

“You passing through I take it?” The clerk catches my drifting attention and snaps me back to task. 

“Oh, uh, yeah, I guess so. Beautiful day for a drive. Never been through here before.” I over-explain to hide my embarrassment. 

“Yeah, this time of year out-of-towners swing by to watch the leaves change. Can’t complain about it though. Little extra commerce, you know? And hey, we got the Ragshag Parade happening today, too…should be passing by any minute.” The clerk catches me off-guard with how casual he is. Like he’s had this conversation a hundred times already. 

“A Ragshag parade? Today? Wow, I don’t think I’ve seen one before.” I genuinely don’t think I have. 

The clerk replies “Yep, looks like it’s yer lucky day, go out to the street and enjoy it after you gas up. I gotta step out back for a minute but you’re all set on the pump. Scream if you need anything.” 

I look outside, almost as if I’m missing it, realize there’s nothing happening outside and correct myself. “Okay, thanks!” But he’s already gone. A hastily folded piece of paper on the counter with the words “Back in 5” scrawled on it is now presiding over the small shop interior. 

I exit back out into the embrace of the pale yellows and shimmering reds dotting the sky like perpetual fireworks. The warm shades bouncing off the light blue backdrop of the earth make it feel like I’m wading through a Bob Ross painting. The hum of natural static in the air nearly freezes me in place for a moment, catching me mid-stride. I feel like a puppy who just had the back of its ears scratched for the first time. 

I take a moment and stop, look up at the trees and just, sway for a minute. Existing. Enjoying the feeling of being swaddled in a ball of calm embrace as the world swirls around me. One beat, two. Four. I lose count. And then I snap out of it. 

Come on, focus!  I should be furious. I’m nowhere close to where I’m supposed to be, I have to lock in and get out of here. 

I finish up at the pump, and as I move to get back into my car, I catch in my periphery; people. Several, in fact. I presume they’re lining up on the side of the road for the parade the clerk mentioned. But it’s… disorganized. There’s no proper sidewalk on the road, so there are cars just…parked on the side as potential driving hazards. Some even have blinkers on. As I’m clocking the cars, I’m noticing the plates. Connecticut. Rhode Island. New York. Pennsylvania. Maryland. Virginia. Ohio. I might be the only one in a five mile radius that actually lives in this state here today. 

And then my eyes readjust to the people I thought were looking to the street are… looking up? Are they watching the leaves too, like I just was? Two, six, twelve, twenty…. Looking both ways down the road I can see maybe seventy people, all standing like they are listening to someone talking in the sky. And…they’re all…swaying? Even in my confusion and recognition, I find myself struggling to move. I feel so, comfortable. Safe… 

And then I hear it.  

Drums. I mean, REAL drums. I don’t mean the innocent dancing of epoxied sticks on sterile plastic. I hear shileleghs battering stretched animal skin, held by weathered hands carrying rhythms that have not been heard in generations, maybe longer. No accompaniment, no joyous or raucous singing, no clapping, no dancing. Just… hammering percussion. I still can’t see it but I can sense it’s coming down the bend, I can already feel the bursts of noise bouncing off my chest. 

And then I see it. 

I’m not even sure how to describe it. It’s a display seemingly plucked out of time. Silent, yet deafening. Masks made of old fabric, moldy burlap, bleached antlers, rust-stained metal. Hand-sewn, patchwork over shirts, layers of shorn furs draped over fresh swatches of dried blood. I barely recognize the forms as human. 

They move less like a parade and more like a funeral march, amassed in a shambling frenzy. Silent, all but the pounding, punishing blows of blackthorn on tensioned, bald pelts. Bodies almost limping forward, adorned with trophies of the old times, bone and sinew, glass and herbs. I can’t make out a face yet, but they are trudging closer. 

I want to run, but it’s as if my body is paralyzed. It’s…swaying? Dear god, am I really swaying right now? Am I trapped in my mental euphoria so strongly that I can’t be bothered to leave it, even in the face of certain threat? My muscles tesnse and seize trying to break from this hypnotic daze, this momentary safehouse now turned into an asylum. They are getting closer. 

My god, they…the parade is walking past the people and…taking them… a rap on the head, an extended grasp, and they practically disappear into the roiling mass of feral flesh. Please tell me this is a nightmare. Please, make this stop. I have to move. 

They are mere yards away. I can smell them. It’s like ammonia and fetid rot, cutting through the intoxicating air. One of them approaches me. An amorphous mask, caved of wood, horns. Eyes. I can see the eyes, nearly bulging out of the pine splinters… a mangled branch is raised and in this moment I snap back. I move. I stagger back, making a kind of garbled scream. My breath catches in my gullet and I struggle to both inhale and vomit simultaneously.

The form stops as I move. And the parade shambles by. 

I can only hear static. The dying static in the breeze, I scatter back to my car like a new born deer, injure myself getting into the driver’s seat, turn the key and peel out onto the road, away from the parade. 

I’m not even sure if what I saw was real, or some sort of hallucination. 

All I know is that I am going back home. I manage to backtrack my way to highway, and as I cross the bridge I first passed over, I can’t help but glance over my shoulder and see an apple tree orchard, lined with saplings, all looking suspiciously human… looking up to the sky, with branches and leaves adorning their forms. Swaying. 

As I reaffix my sights on the road ahead of me, I notice a single growth, a leaf, protruding from the first knuckle on my right hand. 

I can still hear the static. 

——————————————

If you are reading this, THANK YOU! 

This is the humble beginning of a secret project that probably won’t see completion until late 2026. But in the meantime, let me know what you think of it? Was it too long? Too wordy? Confusing? Not confusing enough? 

Let me know! 

Friday, August 1, 2025

Three and a half years later…..

 Forty-two months of silence….

I intend to continue using this space as a vessel for brain vomit, amongst other things…and to be honest, my brain has been feeling mighty sick lately. 

Poetry, stories, unhitched projects, the creative madness shall persist, mood gauge rendered irrelevant. 

Good to be back. 

I shall wax poetic when I am more sober and well-rested. But know this: 

There’s so much coming down the pipeline… and I can only hope that the world is still standing by the time they are ready. 

Dissociatively, 

BK

Tuesday, February 22, 2022

Making the thing! Kickstarter Initial Funding Goal Reached! And More....

 Happy 2022! 

Boy howdy, what a complete dumpster fire of a couple years its been. 

But I refuse to lament, and continue to push forward and make cool new things. 

Example A: 

I made an Enamel Pin late last year. Meet "FlapJack - Classic"! 


I conceptualized the design in an insomnia-laden stupor in February of 2021 and began working towards its realization. I obtained an ipad with procreate and taught myself how to turn my designs into workable files, something that my work has been severely lacking in for decades. 

I listed 50 on my ko-fi shop: 

https://ko-fi.com/bkartmerc

And they sold out in four days! 

So I launched a kickstarter: 

https://www.kickstarter.com/projects/bkartmerc/the-flapjack-pin-color-variant-series

And I just reached my initial funding goal with 12 days to spare. 



I am eternally grateful that I have been able to get myself here. 

I take nothing for granted, and I know that life is only going to get more and more difficult as the years drag on. 

So I'm going to try and make as many good things as I can. I am restocking my stickers, my art prints, and I have grand plans to expand my brand in 2023. So many projects, merch and more on the horizon. 

And I hope you all join me on the weird, wild journey. :) 

Thank you, 

Brett Kelley - Professional Creative

You can follow me on Instagram at bkartworks

You can follow me on Facebook at "The Artwork of Brett Kelley" 

You can follow me here. 

You can follow my ko-fi shop at the link above. 

You can support my kickstarter right now! Until March 4th! Get your pins, stickers and art today! 


Thursday, December 2, 2021

Riptide

I never learned to surf. 

And yet here I am swaddled in fathoms, 

combing with pink, raw claws pawing through waves as I stammer 

and suffocate, 

gasping for air through waterlogged lungs, 

flung from the warmth of the sand into the upper rungs 

of pungent, furious foam and salt, 

like brined blood bubbling up in my throat 

like so much rubble, 

you can only tread water for so long until your legs tell you 

there's trouble and yet, Here I am, 

panting, 

pleading with the sea trying to float, 

screaming to breathe, seething through salene teeth, 

as time turns fleeting with release climbing up my kicking feet,

soaked,

over ten times over with no sign of a boat in sight, 

my eyeline shows no one was right, but since no one can be wrong, 

our collective reality is simply our sorrow's song, 

ignoring the slamming whitecaps in our faces aching for relief

that never comes, even in tumultuous, fevered drowning, 

whether innocent or guilty we are still simply sounding like 

fish in an ocean's wake, 

corpses rotted and rolling up to shore, as seagulls sickly cackle, 

How many more spasms of air shall we struggle to take while the wake rakes against the napes 

of our backs,

trying to wake up but the pressure goes slack, 

looking for anything that could pull us back, but there's nothing, 

There's nothing, 

The land is on fire, the living are screaming in violent laughter, 

and the ocean suddenly seems like the most comfortable tomb, 

that I could ever hope to be buried in, 

The womb of the planet, take me back to the dark, the wet, the void, 

for it is a suitable place of rest for a man who never learned to surf, 

who was found wanting by the bored and brutal, 

may I find peace with the barrier reefs, 

the acid purging my bones of my flesh, turning me into a calcified, barnacled 

crucible worthy of discovery;  

I never learned to surf.

 

 


Monday, May 11, 2020

Tiny Sketchbook: Surreal Estate Edition

I have been fortunate to have been able to submit work to the Sketchbook Library in Brooklyn, NY over the years.

It's a fantastic organization with a number of amazing creative endeavors for artists to participate in.

I chose for this year to make a "Tiny Sketchbook" using my "Surreal Estate" concepts. Here is a small sample of the work from that project: 








The Sketchbook itself has about 60 pages total, and you'll be able to find them on the Brooklyn Sketchbook Website soon.

You can also see my very first Sketchbook submission here:

https://www.sketchbookproject.com/library/S178250

Wednesday, June 26, 2019

Pins, Podcasts and Pals!

If you have followed me in any capacity, you know that I frequent an amazing podcast comprised of my closest friends called Opinions May Vary. (omvpodcast.com)

This month I got to spend some time checking out Five Points Fest in Brooklyn, NY and it was a blast and a half!

Be sure to check out the link to listen to our near 2 hour recap of the event here:

http://omvpodcast.com/episode-377-with-brett-kelley-the-2019-five-points-festival-recap

I've been having a lot of fun exploring the enamel pin world, from artists to products and the act of turning 2D designs into 3D pieces of wearable artwork.

I've been sluggish with a myriad of projects lately, so I'm hoping getting stuff like this out will help get my art house back up and running.

More to come, I promise!

Thursday, May 9, 2019

"Surreal Estate" (2017-Present)

Here's a new fun series that has materialized over the past month or two. Based on some throw-away sketches that were rooted in Bonebrook, this work has expanded to include an ecosystem of life. 

Made a "Surreal Estate" Vol. One Zine that is available for sale, Five bucks a piece! 
You can order them through the ways you can contact me: 
- Paypal
- Ko-Fi: https://ko-fi.com/bkartmerc (this is new!)
- Other ways

Here is a sneak peek at some of my favorite pieces, with plenty more on the horizon: 
















Here are a few other pieces that are from bigger pages, and will more than likely appear in the up-and-coming "From The Well" art book: 





Tuesday, April 2, 2019

Zines, Fiends and Drawing machines

Wanted to make a quick post about events coming up this month.

Saturday, April 13th at The Flywheel in Easthampton, MA:

2019 - Pioneer Valley Zine Fest

I am a big ole nerd about zines. I love collecting them, I love seeing pieces of work that are independent and true to form of a unique point of view. I enjoy the unfiltered ideas and creativity that zines can capture. Heck, I even wrote an article on them about a year ago: 


This will be my first excuse to delve into zines and indie publishing, and I will be showcasing some fun work and ideas that are acting as a bit of a lead-in to my bigger project at the end of the month. 

No intention of blowing the spot, but be sure to look out for some art-centric zines, as well as a few more literary pieces as well. My collection of zine-based wares will be severely limited edition, and will only be available at this event, so be sure to snag them if you can! 

Back to it, 

BK 

Thursday, March 14, 2019

"From The Well - 2019" Art Book!

After a successful debut in February at Comics-N-More in Easthampton, the "From The Well - 2019" Art show is primed and ready for its next evolution:

A collectible printed Art Book! 

A kickstarter campaign is slated for the beginning of April. The book will measure in at 7"x 10" respectively, clocking in with 34 pages including a front cover.

The Front Cover

This product will showcase a number of different illustration series I've been putting together since late 2017-early 2018, including the following: 


"Vernal Occipital" Series (Gothic Fantasy)
Been having a blast working on these drawings and pairing the whimsy and fantasy of flora and fauna and mashing it up with the gothic, grim skulls I've been drawing forever.

"Stellar" Series (Galactic Gothic)
This has been a bizarre, weird illustration series that I think will yield in either a pin or sticker set. Possibly some vinyl? We'll see.


"Ouroboros" Series (Occult/Gothic)
Been doing some very subversive linework dealing with some pseudo-socio-political overtones. They are interesting, and hopefully make a statement worth hearing.

"Creep" Series (Gothic Architecture)
Continuing my pairing of organic with mechanical elements of drawing and design. 

There will be several more, with each series having between 6-8 illustrations per segment in the book. 

A kickstarter campaign will be launched in the next few weeks once the book is scanned and properly quoted.

Campaign rewards will be vast and include various discounted art works, as well as new merch! Cannot wait to hit the ground running once the last few pieces fall into place.

Stay tuned!

Monday, February 11, 2019

"From The Well" Art Show:

I was fortunate enough to showcase my personal exploratory work from the past two years and showcased it at Comics-N-More in Easthampton, MA in conjunction with this year's Winterfest Celebration. It is a fantastic city-wide day event and arts night, filled with gallery openings, craft fairs, a chili cook off and craft fair with a number of additional activities. 

I am a bit of a slouch with photos, especially in real time. That said, I made a point to at least photograph the work! One of my goals are to better that practice. That said, here are the humble photos of the show itself. It will be up for viewing until March, so feel free to check it out! 

Here is the "Main Wall" of new work, complete with four series of works (20 in total). 

A sneak peek at the back wall of large illustrations and paintings. 

A new piece in a beautiful frame. 

The art prints box has never been more full and robust!

The show opening ran from 12:30-6:30pm and was well attended. It was far and away one of the most successful solo shows I've done in the near five years I've spent in the Pioneer Valley. My thanks go out to Christian and Phoebe of Comics-N-More for supporting local artists, and allowing me to take part in such a wonderful annual event. 

Now that the work is out I can move on to the next stage in the game plan. Stay tuned! 



Wednesday, January 16, 2019

New Illustration Series: VERNAL (2018-2019)

A new illustration series that I'm particularly proud of, called "Vernal Occiptial".

The intent was to practice my line work while experimenting with some visual juxtaposition. By combining my long-standing habit of drawing skulls and a newfound appreciation for flora and fungi made a spectacular and compelling contrast.

What resulted is dialogue inferring that even in death life is persistent, that we offer longevity after our perceived end. Legacy, mortality, life springing from death. Rebirth, rot, decay, and the reminder that nature is forever around us, feeding into the greater forces that we live in and beside each day.

There is further opportunity for insight in each piece, working on both political, social and emotional capacities. Definitely a new level of work that I'm proud to have broken ground on.


"Vernal Occipital - I"

"Vernal Occipital - II"

"Vernal Occipital - III" 

"Vernal Occipital - IV"

"Vernal Occipital - V" 


Color prints are next on the menu, and these illustrations will be accompanying many more as I barrel towards the release of "From The Well", which will be my first ever Illustrated Art Collection Book.

Stay tuned!

- @bkartmerc

Thursday, December 13, 2018

2018: A Year-End Journal

 Here we are, another year on the ropes, on the cusp of becoming anew. Feels like it was yesterday, for better or worse.

However, this year proved to be an odd step in the Art Mercenary records. A breakdown on the accomplishments, hurtles and follies of the last 12 months:

Shows/Live Events/Projects:


- Art Journal January 2018, thalo.com 
I kicked off my year with a self-authored artist initiative using an older creative theme. It was fairly well received! Through that month of work I set into motion a series of projects that I got to see come to fruition.
http://www.thalo.com/articles/view/1351/get_your_creative_year_started_with_art_journal


- The Sketchbook Project and Library in Brooklyn, NYC
I spent the earlier part of my year working on my first submission to the Brooklyn-based Sketchbook project. It was a lot of work, and I wound up learning a lot through the process. The show actually took a pretty impressive tour of North America and Canada!  You can see the digital upload of it here:
https://www.sketchbookproject.com/library/20564


- May 5th: Free Comic Book Day, Comics-N-More, Easthampton MA 
I completed three comic book covers that showed in my favorite comic shop in The Pioneer Valley. They remain showcased there until purchased, just ask the front desk to see them. One was claimed for purchase, then abandoned.


- May 12th: Watch City, Waltham MA
Watch City was a fun, if not soggy experience this year. Despite the weather TONS of people in the Steampunk community came out, and it was awesome to see so many familiar faces I normally would have seen elsewhere.


- July 7th: Heavy Metal Folk Fest, Wallingford CT 
My first visit to Cherry Street Station was a banger. Got to hang out with more Steam-folk and see some pretty solid acts perform.


- August 18th: TerrifiCon, Uncasville / Mohegan Sun CT
TerrifiCon was a grand time, hanging out with my good friends Alex and Jayare from Opinions May Vary as well as my talented and wonderful friend Kyle from Decimated Designs. Also my lovely Babs from Babs Who Takes Pictures. I got interviewed for Rhode Island Public Access and got to catch up with a bunch of good people.


- August 24th-26th: RPM Fest, Montague MA 
Man. This was just FUN. The wonderful people at RPM Fest had enlisted some design assistance last year which carried over into this year's three day metal festival in Western Mass. It was a lot of fun, and I hope to go back next year.



- December 8th: An Evening of Dark Arts - AS220, Providence RI
Fun show, good folk! It was a nice change of pace heading out to a new space in a city I rarely get to visit. Saw a lot of RPM attendees there as well.


- December 6th - 20th: Easthampton City Arts Small Works Show, Easthampton MA 
One of my favorite art shows of the year. Showcased some recent illustrations and got to see some local folk.


- May 9th 2018 - January 2019: "Discover Steampunk Exhibit" Museum of Idaho
A bunch of my artwork appears in a Steampunk show curated by Bruce Rosenbaum of ModVic and Steampuffin.
http://www.museumofidaho.org/exhibits/#pg-162-2




Design Projects/Collaborations:  


RPM Fest
I consider myself lucky to have been able to lend my talents and collaborate with the runners of this mighty fine festival. I provided the linework and character design for this year's "logo/mascot" of the Western Mass Metal show to what was easily one of my favorite projects of 2018. Meet "Kick-Ass-Squatch": 



OXEN Band
Got to design a new t-shirt for OXEN out of Western Mass. Check them out!
https://oxenmass.bandcamp.com/



The Aberration / Stay Classy Prints
Collaborated with Travis O'Connell on some merch using some old drawings I had in my archives.
https://the-aberration.bandcamp.com/



Demented FX / Kirby Productions
Collaborated with Al of Kirby Productions in developing a new shirt design for Holyoke's epic Haunted Attraction!
https://www.dementedfx.com/


Commissions: A discussion on the horizon


For the past sixteen years, commissions have been a long-standing institution for me and are a major component to my identity as an "Art Mercenary". They have helped me hone my skills many times over and because of this I will always make them a staple of my services offered.

However,  commissions have begun to take a more hindering toll as I've been recently attempting to expand my personal body of work and grow as an artist.

I took roughly 45-50 Commissions in 2018 alone. I have about a dozen left that still need completing due to various circumstances. I consider myself lucky that the patrons I work with are patient and understanding with these delays as I try my best to deliver the absolute highest quality of work to them.

To me this further cements that I have been putting off some much needed actions regarding my commission taking processes. I will be starting 2019 with a more rigid set of standards regarding commissions that I failed to establish and enforce this past year. I have become cognizant of my need to change and evolve in order to become a better artist and creative, and this is what needs to happen to allow this change to occur.

Expect a much more in-depth post about my commissions process going into 2019 in January.


Looking towards 2019: What to Expect


The future at the moment looks suspiciously bright, and I will be treading carefully into the New Year with baited breath to ensure no immediate disasters lie on the horizon.

That said, I am working on a number of exciting projects that aim to help establish my identity as a creator and storyteller and not just a pencil for hire.

- Art Journal January 2019 
I am bringing the initiative back this year, and will be making my Instagram the place where I tease some of the various projects on the back-burner to gauge public interest. The more popular the projects the more focus I will give them on the production timetable.

- A New Art Book
This was an ambition I wanted to take on in 2018, but got severely sidetracked. Right now I have enough material to produce a brand new art book. Details will arrive in the early months of 2019.

- RPG Campaign Book
I've been quietly developing my first official written project: a campaign book as an accidental follow-up to my 2016 Coloring Book project "Tales of Clockworktropolis". It currently sits at 43k words, complete with regions, map breakdowns and characters abound. It is 5e derivative, and handles steampunk in an RPG setting with a slightly more fantasy-inspired angle.

- BK Merch
I'm on the cusp of developing a few series of stickers, pins and prints that should do me well in the New Year.

- Less shows, more product
I would like to spend more time working than showing next year, but I'm sure I'll find a few live events to showcase my work at.


That's it so far! I cannot thank everyone enough for your support and patronage. I cannot wait to show everyone what I have in mind for the future, and hope everyone will be on board for the ride.

Back to it, and all the thanks I can muster,

BK:AM

Thursday, December 6, 2018

"From the Well" - Inktober remembered and other favorites

So, I've been toying around with a new publication in 2019 called "From the Well" in celebration of me leveling up my illustration game last year. There are some selections from last year's Inktober, but most of the entries are new pieces that are building off of new bodies of work.

Here, check it out:

"Front Cover WIP" 

"Disastronaut - I" 

"Mothman"

"Lantern" 

"Necromancer" 

"Guillotine" 

"Cthulhu 2018" 

"Candy Corn Cretin - 2018"
Look...I really just want to make a mascot for Candy Corn. This is that. 

"Autumnal Lord - 2018" 

"Wires" 

"Vernal Occipital"